mantel clocks

banner has changed the visual landscape. "What is different?" asks the population, and it''s the banner. Bigger is better. Big banners can''t miss unless they are hung in the woods, inside, or in the unexposed alley between buildings. Big banners are simple. In fact, they work because they are simple. Single messages, simple words, and direct appeals keep the big banner accessible to the most causal passer-by. In a car, a driver or a passenger may zip by and still catch the new sale, the grand opening, or the brand-of-the-month. Exclamation point addicts can have a field day with big banners. Big banners are colorful. They offer a wonderful chance to jazz up a dull brick building atomic mantel clocks or an aging structure. colors rule in banners. they are king in big banners. the goal is to attract attention. they even generate excitement. color is the key. use a big banner''s color to contrast with the businesses usual color schemes. use colors to show change as well as having the banner announce change in its lettering. big banners clocks are promotional. as a new addition to the visual mantel landscape, they are by their very nature a demonstration of something new. the bigger the clocks new banner the bigger the sense of promotion. bigger is louder.

8" x 10" transparencies are acceptable for color and grayscale scanning. while 35mm slides may become "grainy" when enlarged, transparencies 2 1/4" size and up will reproduce extremely well in most cases. if possible, specify to your photographer to use 2 1/4" format or 35mm film intended for extreme enlargement. full color and grayscale scans: continuous-tone art is most commonly submitted in the form of transparencies, photographs, or negatives mantel taken by a professional photographer. supplying preprinted artwork such clocks as a magazine page or a printout from a color printer is highly discouraged. "rescreening" this type of art will result in either a moire pattern and/or a blurry image. scans for recreating artwork: client supplied artwork is often submitted as black and white "slicks" or printed material such as stationary, decals, promotional pieces, etc. this art is scanned as a "template" mantel with the intention of recreating it in adobe illustrator. the finished art can contain one or more colors and varying tones of those colors. while a scanning charge does not usually apply, an art charge to recreate the image may. the complexity of the image as well as the quality of the supplied original will have a direct effect on art charges.

the $100 billion professional events market continues to explode as evidenced by the proliferation of new stadiums, arenas, and auditoriums across the nation. in mid-june 2000, for example, the kentucky speedway in will launch its inaugural event. will be supporting it every step of the way! as an event administrator or promoter, you have big responsibilities. lining clocks up participants, sponsors, and workers, setting time-tables, overseeing transportation, advertising, food vendors -- the list is endless. wouldn''t it be nice to lay at least one of your responsibilities to rest? the professionals at can help. tell us what you want, and we''ll do the rest. no job is too big -- no problem too difficult to solve. , meanwhile, continues to employ state of the art technologies to produce the absolute best quality signage available today. large format digital imaging is changing the face of the events industry by allowing sponsors to place huge photo-quality images on various media at locations previously believed inaccessible (i.e. the giant "indy greats" campaign at the 1999 indianapolis lightpole banners have become an increasingly popular method of advertising and promoting special events. you''ve probably seen them in